- Fasad
15 308 foton på hus, med pulpettak
Architect: Grouparchitect.
Contractor: Barlow Construction.
Photography: Chad Savaikie.
Inspiration för mellanstora moderna beige hus, med tre eller fler plan, blandad fasad och pulpettak
Hög terass, snedtaket kunde vara växthusets tak - andreas_gustafsson92
View to entry at sunset. dining area to the right. of the entry. Photography by Stephen Brousseau.
Inredning av ett modernt mellanstort brunt hus, med allt i ett plan, blandad fasad, pulpettak och tak i metall
Bernard Andre
Inredning av ett modernt mellanstort brunt hus, med tre eller fler plan, blandad fasad, pulpettak och tak i metall
Exempel på ett mellanstort modernt beige hus, med två våningar, pulpettak och tak i metall
photo: Mark Weinberg interiors: AMB Design
Exempel på ett modernt trähus, med allt i ett plan och pulpettak
Looking towards entry
Photo by Michael Heeney
Inspiration för ett mellanstort funkis grått hus, med två våningar, pulpettak och tak i metall
Inredning av ett rustikt stort flerfärgat hus, med tre eller fler plan, blandad fasad, pulpettak och tak i metall
Idéer för att renovera ett mellanstort orientaliskt grått hus, med två våningar, stuckatur, pulpettak och tak i metall
A view of the living / dining / kitchen area of the cabin, which opens onto a large back patio. The patio is sheltered by a 14 foot cantilevered shed roof and large windows place the residents in a world enmeshed with nature, inside or out.
Exempel på ett mellanstort modernt svart hus, med två våningar och pulpettak
Eco Vision Homes
Modern inredning av ett vitt hus, med två våningar, stuckatur och pulpettak
David Wakely Photography
While we appreciate your love for our work, and interest in our projects, we are unable to answer every question about details in our photos. Please send us a private message if you are interested in our architectural services on your next project.
Photographer: Will Pryce
Inredning av ett modernt grått hus, med metallfasad och pulpettak
Mountain Peek is a custom residence located within the Yellowstone Club in Big Sky, Montana. The layout of the home was heavily influenced by the site. Instead of building up vertically the floor plan reaches out horizontally with slight elevations between different spaces. This allowed for beautiful views from every space and also gave us the ability to play with roof heights for each individual space. Natural stone and rustic wood are accented by steal beams and metal work throughout the home.
(photos by Whitney Kamman)
The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Foto på ett stort amerikanskt grått hus, med två våningar, pulpettak och tak i shingel
David Taylor
Idéer för att renovera ett stort funkis vitt hus, med allt i ett plan och pulpettak