- Fasad
47 136 foton på hus
©BrettBulthuis2018
Inspiration för ett mellanstort lantligt vitt hus, med två våningar och pulpettak
Who lives there: Asha Mevlana and her Havanese dog named Bali
Location: Fayetteville, Arkansas
Size: Main house (400 sq ft), Trailer (160 sq ft.), 1 loft bedroom, 1 bath
What sets your home apart: The home was designed specifically for my lifestyle.
My inspiration: After reading the book, "The Life Changing Magic of Tidying," I got inspired to just live with things that bring me joy which meant scaling down on everything and getting rid of most of my possessions and all of the things that I had accumulated over the years. I also travel quite a bit and wanted to live with just what I needed.
About the house: The L-shaped house consists of two separate structures joined by a deck. The main house (400 sq ft), which rests on a solid foundation, features the kitchen, living room, bathroom and loft bedroom. To make the small area feel more spacious, it was designed with high ceilings, windows and two custom garage doors to let in more light. The L-shape of the deck mirrors the house and allows for the two separate structures to blend seamlessly together. The smaller "amplified" structure (160 sq ft) is built on wheels to allow for touring and transportation. This studio is soundproof using recycled denim, and acts as a recording studio/guest bedroom/practice area. But it doesn't just look like an amp, it actually is one -- just plug in your instrument and sound comes through the front marine speakers onto the expansive deck designed for concerts.
My favorite part of the home is the large kitchen and the expansive deck that makes the home feel even bigger. The deck also acts as a way to bring the community together where local musicians perform. I love having a the amp trailer as a separate space to practice music. But I especially love all the light with windows and garage doors throughout.
Design team: Brian Crabb (designer), Zack Giffin (builder, custom furniture) Vickery Construction (builder) 3 Volve Construction (builder)
Design dilemmas: Because the city wasn’t used to having tiny houses there were certain rules that didn’t quite make sense for a tiny house. I wasn’t allowed to have stairs leading up to the loft, only ladders were allowed. Since it was built, the city is beginning to revisit some of the old rules and hopefully things will be changing.
Photo cred: Don Shreve
Deck with black wood - martin_commins
This custom estate was built on a beautiful 12 acre lot just outside the city of Frederick, MD. This was a custom home with an extra large 2 car detached garage. The home is 2000 square feet all on one level with a walk out basement. It has a large composite deck with an attached covered screened in porch. The screened in porch will be the first place to go from a busy day at work to take in the beauty of the mountains and let the stress melt away. The charcoal gray exterior turned out beautiful with the stone selection. It all fits very well on top of the mountain.
JR Woody
Idéer för mellanstora funkis vita hus, med två våningar, blandad fasad, platt tak och tak i mixade material
This prefabricated 1,800 square foot Certified Passive House is designed and built by The Artisans Group, located in the rugged central highlands of Shaw Island, in the San Juan Islands. It is the first Certified Passive House in the San Juans, and the fourth in Washington State. The home was built for $330 per square foot, while construction costs for residential projects in the San Juan market often exceed $600 per square foot. Passive House measures did not increase this projects’ cost of construction.
The clients are retired teachers, and desired a low-maintenance, cost-effective, energy-efficient house in which they could age in place; a restful shelter from clutter, stress and over-stimulation. The circular floor plan centers on the prefabricated pod. Radiating from the pod, cabinetry and a minimum of walls defines functions, with a series of sliding and concealable doors providing flexible privacy to the peripheral spaces. The interior palette consists of wind fallen light maple floors, locally made FSC certified cabinets, stainless steel hardware and neutral tiles in black, gray and white. The exterior materials are painted concrete fiberboard lap siding, Ipe wood slats and galvanized metal. The home sits in stunning contrast to its natural environment with no formal landscaping.
Photo Credit: Art Gray
Richard Leo Johnson
Lantlig inredning av ett litet grått hus, med allt i ett plan
Shoot 2 Sell
Idéer för ett mellanstort lantligt beige hus, med två våningar, sadeltak och blandad fasad
Foto på ett mellanstort vintage grått stenhus, med två våningar och sadeltak
Inspiration för mellanstora amerikanska blå hus, med två våningar, blandad fasad, halvvalmat sadeltak och tak i mixade material
Twin Pines Enchanted Cottage Adorned With Perennial Gardens, Flagstone Walkway, Corbels & Stained Glass Window
Idéer för ett litet lantligt grått trähus, med allt i ett plan
Bruce Cole Photography
Idéer för att renovera ett litet lantligt vitt hus, med sadeltak och tak i shingel
Gorgeous Craftsman mountain home with medium gray exterior paint, Structures Walnut wood stain on the rustic front door with sidelites. Cultured stone is Bucks County Ledgestone & Flagstone
The project’s goal is to introduce more affordable contemporary homes for Triangle Area housing. This 1,800 SF modern ranch-style residence takes its shape from the archetypal gable form and helps to integrate itself into the neighborhood. Although the house presents a modern intervention, the project’s scale and proportional parameters integrate into its context.
Natural light and ventilation are passive goals for the project. A strong indoor-outdoor connection was sought by establishing views toward the wooded landscape and having a deck structure weave into the public area. North Carolina’s natural textures are represented in the simple black and tan palette of the facade.
This detached Victorian house was extended to accommodate the needs of a young family with three small children.
The programme was organized into two distinctive structures: the larger and higher volume is placed at the back of the house to face the garden and make the best use of the south orientation and to accommodate a large Family Room open to the new Kitchen. A longer and thinner volume, only 1.15m wide, stands to the western side of the house and accommodates a Toilet, a Utility and a dining booth facing the Family Room. All the functions that are housed in the secondary volume have direct access either from the original house or the rear extension, thus generating a hierarchy of served and servant volumes, a relationship that is homogeneous to that between the house and the extension.
The timber structures, while distinctive in their proportions, are connected by a shallow volume that doubles as a bench to create an architectural continuum and to emphasize the effect of a secondary volume wrapped around a primary one.
While the extension makes use of a modern idiom, so that it is clearly distinguished from the original house and so that the history of its development becomes immediately apparent, the size of the red cedar cladding boards, left untreated to allow a natural silvering process, matches that of the Victorian brickwork to bind house and extension together.
As the budget did not make possible the use a bespoke profile, an off-the-shelf board was selected and further grooved at mid point to recreate the brick pattern of the façade.
A tall and slender pivoting door, positioned at the boundary between the original house and the new intervention, allows a direct view of the garden from the front of the house and facilitates an innovative relationship with the outside.
Photo: Gianluca Maver
Front elevation of a craftsman style house in old Davidon
Bild på ett mellanstort amerikanskt beige hus, med två våningar, fiberplattor i betong, sadeltak och tak i shingel
When the huge green ash (seen in earlier photos) collapsed it was replaced with three new maples. The cedar fence with semi-transparent white stain could not hold up to Seattle's long wet winters. It was sanded and repainted with two coats of Cabot's solid body white stain.
Inspiration för ett mellanstort amerikanskt svart trähus, med två våningar och sadeltak
Jay Goodrich
Modern inredning av ett litet grått hus, med allt i ett plan, metallfasad och platt tak