8 225 foton på trappa

Existing timber ceiling and roof structures have been retained where possible – retaining the character of the property.
Idéer för att renovera en stor lantlig l-trappa i trä, med räcke i glas

Idéer för en liten modern flytande trappa i metall, med sättsteg i metall och räcke i metall

Blick in Flur Einbauschränken unter der Treppe. Verspachtelt mit Beton Ciré.
Idéer för att renovera en mellanstor funkis rak betongtrappa, med sättsteg i betong och räcke i trä

hiepler, brunier
Idéer för mellanstora funkis raka trappor i trä, med sättsteg i trä

Solid hardwood stair with slatted screening and wall panelling.
Maritim inredning av en rak trappa i trä, med öppna sättsteg och räcke i trä

Klassisk inredning av en u-trappa i trä, med sättsteg i trä och räcke i trä

Ben Wrigley
Exempel på en mellanstor modern u-trappa i trä, med sättsteg i trä och räcke i trä

Main staircase (showing storage)
Idéer för mellanstora vintage u-trappor i trä, med sättsteg i målat trä

open tread floating Tasmanian Oak staircase
Foto på en mellanstor maritim trappa i trä, med öppna sättsteg och räcke i flera material

Exempel på en nordisk rak trappa i trä, med sättsteg i trä

Rénovation d'une maison des années 70
Idéer för en stor modern spiraltrappa i trä, med sättsteg i trä

Internal - Floating Staircase Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Roger Oates Swanson Light Grey stair runner carpet from the Shetland Collection fitted to white painted staircase with Brushed Chrome stair rods
Foto på en mellanstor vintage l-trappa i trä, med sättsteg i trä och räcke i trä

Light house balustrade
Bild på en mellanstor maritim rak trappa i trä, med sättsteg i trä och räcke i trä

Sébastien Veronese
Idéer för stora rustika raka trappor i trä, med öppna sättsteg

Peter Tarasiuk Photograhpy
Inspiration för en mellanstor funkis u-trappa i trä

Steve Brown Photography
Inredning av en modern mellanstor trappa

This stunning staircase combines modern monochrome style with timeless elegance. A herringbone-patterned grey runner with bold black edging creates a striking focal point against crisp white steps, while geometric black metal spindles bring an architectural touch to the balustrade. Overhead, a dramatic multi-globe chandelier enhances the space with contemporary glamour, perfectly complementing the clean white walls and light-filled entryway. The design flows seamlessly into the hallway below, where elegant seating and statement decor complete this welcoming home entrance. ✅ Perfect for: staircase design ideas, modern hallway inspiration, and monochrome interior styling

Oak Staircase with curved newel posts and glass balustrade
Inredning av en modern liten u-trappa i trä, med sättsteg i metall och räcke i glas