- Fasad
4 853 foton på turkost hus
Photography by Lucas Henning.
Idéer för mellanstora rustika bruna hus, med allt i ett plan, metallfasad, pulpettak och tak i metall
Inspiration för ett stort rustikt hus, med två våningar, tegel och valmat tak
Ed Holt
Bild på ett medelhavsstil hus
Fachada Sur
Foto: Alejo Bague
Inspiration för stora moderna bruna hus, med allt i ett plan, glasfasad och platt tak
Casey Dunn
Inspiration för moderna beige hus, med två våningar och platt tak
Facade improvement to replace 1950s stucco with traditional Victorian exterior, paint and details. Created new large ‘open plan’ out of two existing front rooms plus hallway.
Victorian beauty - sana_lala
New family entry and second floor bedrooms.
Foto på ett stort vintage vitt hus, med två våningar, sadeltak och tak i shingel
Bob Winsett Photography
Bild på ett rustikt trähus, med tre eller fler plan och sadeltak
Modern inredning av ett hus
Greenport Passive House Exterior. Photos by Liz Glasgow.
Modern inredning av ett mellanstort grått hus, med två våningar och tak i metall
Medelhavsstil inredning av ett vitt hus, med två våningar, stuckatur, valmat tak och tak med takplattor
Andersen 100 Series windows in Fort Worth, TX.
Andersen® 100 Series windows and patio doors are made with revolutionary Fibrex® composite material, which allows us to offer an uncommon value others can't. It's environmentally responsible and energy-efficient, and it comes in durable colors that are darker and richer than most vinyl windows.
I built this on my property for my aging father who has some health issues. Handicap accessibility was a factor in design. His dream has always been to try retire to a cabin in the woods. This is what he got.
It is a 1 bedroom, 1 bath with a great room. It is 600 sqft of AC space. The footprint is 40' x 26' overall.
The site was the former home of our pig pen. I only had to take 1 tree to make this work and I planted 3 in its place. The axis is set from root ball to root ball. The rear center is aligned with mean sunset and is visible across a wetland.
The goal was to make the home feel like it was floating in the palms. The geometry had to simple and I didn't want it feeling heavy on the land so I cantilevered the structure beyond exposed foundation walls. My barn is nearby and it features old 1950's "S" corrugated metal panel walls. I used the same panel profile for my siding. I ran it vertical to math the barn, but also to balance the length of the structure and stretch the high point into the canopy, visually. The wood is all Southern Yellow Pine. This material came from clearing at the Babcock Ranch Development site. I ran it through the structure, end to end and horizontally, to create a seamless feel and to stretch the space. It worked. It feels MUCH bigger than it is.
I milled the material to specific sizes in specific areas to create precise alignments. Floor starters align with base. Wall tops adjoin ceiling starters to create the illusion of a seamless board. All light fixtures, HVAC supports, cabinets, switches, outlets, are set specifically to wood joints. The front and rear porch wood has three different milling profiles so the hypotenuse on the ceilings, align with the walls, and yield an aligned deck board below. Yes, I over did it. It is spectacular in its detailing. That's the benefit of small spaces.
Concrete counters and IKEA cabinets round out the conversation.
For those who could not live in a tiny house, I offer the Tiny-ish House.
Photos by Ryan Gamma
Staging by iStage Homes
Design assistance by Jimmy Thornton
The owners were downsizing from a large ornate property down the street and were seeking a number of goals. Single story living, modern and open floor plan, comfortable working kitchen, spaces to house their collection of artwork, low maintenance and a strong connection between the interior and the landscape. Working with a long narrow lot adjacent to conservation land, the main living space (16 foot ceiling height at its peak) opens with folding glass doors to a large screen porch that looks out on a courtyard and the adjacent wooded landscape. This gives the home the perception that it is on a much larger lot and provides a great deal of privacy. The transition from the entry to the core of the home provides a natural gallery in which to display artwork and sculpture. Artificial light almost never needs to be turned on during daytime hours and the substantial peaked roof over the main living space is oriented to allow for solar panels not visible from the street or yard.