110 foton på skandinaviskt flerfärgat hus
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Neri Architects1,500 s.f. addition entails reconfiguring the first floor to accommodate a larger open kitchen plan, additional garage space, and an additional hall bath and changing the existing hall bath to additional space for the existing master bath. The northwest bedroom was converted to a walk in closet for the master suite. For the open plan to work the basement stair had to be relocated and an addition of a stair to the new second floor which accesses 2 additional bedrooms and a hall bath. The great room was upgraded with a vaulted ceiling and a masonry fireplace which contained an extra flue for an exterior fireplace from the rear patio.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Архитектурное бюро "Дизайнус"Главная философия поселка- экологичность. При строительстве удалось сохранить большое количество деревьев
Idéer för att renovera ett mellanstort minimalistiskt flerfärgat hus, med två våningar, platt tak och tak i mixade material
Idéer för att renovera ett mellanstort minimalistiskt flerfärgat hus, med två våningar, platt tak och tak i mixade material
Бюро проектирования и согласования перепланировокExempel på ett mellanstort minimalistiskt flerfärgat hus, med två våningar, blandad fasad och sadeltak
森吉直剛アトリエ/MORIYOSHI NAOTAKE ATELIER ARCHITECTSPhoto Copyright Satoshi Shigeta
Idéer för ett litet skandinaviskt flerfärgat hus, med tre eller fler plan, metallfasad, sadeltak och tak i metall
Idéer för ett litet skandinaviskt flerfärgat hus, med tre eller fler plan, metallfasad, sadeltak och tak i metall
EVOLUTION HOME DESIGNMinimalistisk inredning av ett stort flerfärgat hus, med två våningar, blandad fasad och sadeltak
Refined SpaceWe took a tired 1960s house and transformed it into modern family home. We extended to the back to add a new open plan kitchen & dining area with 3m high sliding doors and to the front to gain a master bedroom, en suite and playroom. We completely overhauled the power and lighting, increased the water flow and added underfloor heating throughout the entire house.
The elegant simplicity of nordic design informed our use of a stripped back internal palette of white, wood and grey to create a continuous harmony throughout the house. We installed oak parquet floors, bespoke douglas fir cabinetry and southern yellow pine surrounds to the high performance windows.
Zimmerermeister Heiko DurchdenwaldIdéer för att renovera ett nordiskt flerfärgat hus, med två våningar, blandad fasad och sadeltak
Front Light Building Co.Bild på ett minimalistiskt flerfärgat hus, med två våningar och tak i metall
TAG DecorSkandinavisk inredning av ett stort flerfärgat hus, med två våningar, platt tak och tak i mixade material
Hinkle RoofingImitation Slate
Idéer för ett mycket stort skandinaviskt flerfärgat hus, med sadeltak och tre eller fler plan
Idéer för ett mycket stort skandinaviskt flerfärgat hus, med sadeltak och tre eller fler plan
Zimmerermeister Heiko DurchdenwaldInspiration för ett nordiskt flerfärgat hus, med två våningar, blandad fasad och sadeltak
Construction McKinleyExterior - House by Construction McKinley located in Quebec, Quebec, Canada. Maison par Construction McKinley situé à Québec, Quénec, Canada.
Inspiration för mycket stora skandinaviska flerfärgade hus, med två våningar, platt tak och tak i mixade material
Inspiration för mycket stora skandinaviska flerfärgade hus, med två våningar, platt tak och tak i mixade material
Константин Иголкин Викторовичкапитальный ремонт и расширение дома с полной реконструкцией в голландский стиль, обустройство и обновление инженерии.
Idéer för stora minimalistiska flerfärgade hus, med tre eller fler plan, stuckatur, sadeltak och tak med takplattor
Idéer för stora minimalistiska flerfärgade hus, med tre eller fler plan, stuckatur, sadeltak och tak med takplattor
Snap ADUExterior Front
Idéer för ett stort minimalistiskt flerfärgat hus, med allt i ett plan, stuckatur, sadeltak och tak i shingel
Idéer för ett stort minimalistiskt flerfärgat hus, med allt i ett plan, stuckatur, sadeltak och tak i shingel
Aesir Construction LimitedNordisk inredning av ett stort flerfärgat hus, med två våningar, sadeltak och tak i mixade material
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
110 foton på skandinaviskt flerfärgat hus
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