835 foton på träton hus
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Marvin
The neighborhood has a consistent design format of long, sloped roofs, and metal-framed windows that have minimal bulk and maximum glass area.
Inredning av ett modernt stort beige trähus, med två våningar
Inredning av ett modernt stort beige trähus, med två våningar
Janof Architecture
This is the modern, industrial side of the home. The floor-to-ceiling steel windows and spiral staircase bring a contemporary aesthetic to the house. The 19' Kolbe windows capture sweeping views of Mt. Rainier, the Space Needle and Puget Sound.
SUSAN M. NIBLO INTERIOR DESIGN AND FINE ART
Design-Susan M. Niblo
Photo-Roger Wade
Bild på ett vintage stenhus
Bild på ett vintage stenhus
Noel Cross+Architects
Firmness . . .
Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time.
A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass.
Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency.
Commodity . . .
Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”.
A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century.
Delight . . .
Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer.
This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own.
Architect - Noel Cross Architect
Landscape Architect - Christopher Yates
Interior Designer - Gina Viscusi-Elson
Lighting Designer - Vita Pehar Design
Contractor - The Conrado Company
Interior Design by Julie Johnson-Holland
Bild på ett rustikt trähus, med allt i ett plan och halvvalmat sadeltak
Lolio Architect
Exempel på ett mellanstort lantligt vitt hus, med två våningar, pulpettak, tak i shingel och blandad fasad
Raphael Architects
Outside, double showers give privacy to the owners to shower off before entering the house.
R. Bye
Bild på ett amerikanskt grått hus, med tre eller fler plan, fiberplattor i betong och sadeltak
Bild på ett amerikanskt grått hus, med tre eller fler plan, fiberplattor i betong och sadeltak
Magleby Construction
Foto på ett litet rustikt brunt trähus, med sadeltak, allt i ett plan och tak i shingel
Dan Nelson, Designs Northwest Architects
Inredning av ett modernt stort grått hus, med två våningar, fiberplattor i betong, pulpettak och tak i metall
Arcadea Architecture
Inspiration för ett rustikt grått hus, med två våningar, blandad fasad, sadeltak och tak i metall
Williams Farrow Builders
Amerikansk inredning av ett stort blått trähus, med två våningar, sadeltak och tak i shingel
King Construction Company LLC
Lantlig inredning av ett mellanstort brunt hus, med två våningar, valmat tak och tak i metall
835 foton på träton hus
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