7 091 foton på hus, med platt tak och tak i metall

Saint Helena Modern Farmhouse
Saint Helena Modern Farmhouse
Matt FriendMatt Friend
Idéer för ett lantligt svart hus, med allt i ett plan, metallfasad, platt tak och tak i metall
Bonaventure
Bonaventure
Lindon Homes Pty LtdLindon Homes Pty Ltd
Large Waterfront Home
Idéer för stora funkis vita hus, med två våningar, tegel, platt tak och tak i metall
Modern Treehouse in the Hills
Modern Treehouse in the Hills
Tracy A. Stone ArchitectTracy A. Stone Architect
The exterior features black metal fascias wrapping exposed wood at the upper soffits. Select structural beams are exposed at key points to add warmth to the design.
Modern Treasure Valley Home
Modern Treasure Valley Home
UserUser
Entering the home through a floor-to-ceiling full light pivoting front door provides a sense of grandeur that continues through the home with immediate sightlines through the 16-foot wide sliding door at the opposite wall. The distinct black window frames provide a sleek modern aesthetic while providing European performance standards. The Glo A5h Series with double-pane glazing outperforms most North American triple pane windows due to high performance spacers, low iron glass, a larger continuous thermal break, and multiple air seals. By going double-pane the homeowners have been able to realize tremendous efficiency and cost effective durability while maintaining the clean architectural lines of the home design. The selection of our hidden sash option further cements the modern design by providing a seamless aesthetic on the exterior between fixed and operable windows.
Scenic Crescent
Scenic Crescent
X-space ArchitectsX-space Architects
Scenic Crescent designed by X-Space Architects - 2017 HIA Perth Housing Award Winner of the small lot housing category $550,001 & Over Show casing that with good design this narrow lot at 7.5m wide feels grand, spacious and alive #useanarchitect Photo by Dion Robeson.
Rangitopuni Residence
Rangitopuni Residence
Creative ArchCreative Arch
A single storied ‘H’ shaped floor plan was developed around a central courtyard. This provides ample opportunity to capture views and light from various internal spaces, while maintaining complete privacy between neighbours. Photography by Mark Scowen
Kuhn
Kuhn
W3 ArchitectsW3 Architects
Bild på ett mellanstort industriellt blått hus, med två våningar, stuckatur, platt tak och tak i metall
Martis Camp Residence 3 | John Maniscalco Architecture
Martis Camp Residence 3 | John Maniscalco Architecture
John Maniscalco ArchitectureJohn Maniscalco Architecture
Joe Fletcher
Modern inredning av ett mellanstort svart hus, med två våningar, metallfasad, platt tak och tak i metall
Bramston
Bramston
Elysium DesignedElysium Designed
This Award Winning 411m2 architecturally designed house is built on an elevated platform perfectly positioned to enjoy the city lights and northerly breezes from the rear deck. An upper level ceiling height of 3m combined with a cool colour palate and clever tiling provides a canvas of grandeur and space. Modern influences have dramatically changed the authentic home design of the conventional Queensland home however the designers have made great use of the natural light and kept the high ceilings providing a very light and airy home design incorporating large windows and doors. Unlike old Queenslander designs this modern house has incorporated a seamless transition between indoor and outdoor living. Staying true to the roots of original Queensland houses which feature wooden flooring, the internal flooring of this house is made from hardwood Hermitage Oak. It’s a strong and resilient wood that looks great and will stand the test of time. This home also features some added modern extras you probably won't see in traditional Queensland homes, such as floor to ceiling tiles, separate butlers’ pantries and stone benches. So, although aesthetically different from traditional designs, this modern Queensland home has kept all the advantages of the older design but with a unique and stylish new twist.
Wedge House
Wedge House
Donald Lococo ArchitectsDonald Lococo Architects
Horizontal and vertical wood grid work wood boards is overlaid on an existing 1970s home and act architectural layers to the interior of the home providing privacy and shade. A pallet of three colors help to distinguish the layers. The project is the recipient of a National Award from the American Institute of Architects: Recognition for Small Projects. !t also was one of three houses designed by Donald Lococo Architects that received the first place International HUE award for architectural color by Benjamin Moore
winter park mountain home
winter park mountain home
jennifer rhode designjennifer rhode design
Idéer för att renovera ett stort rustikt brunt hus, med två våningar, blandad fasad, platt tak och tak i metall
Wyndham Beach House
Wyndham Beach House
Sky Architect StudioSky Architect Studio
With its distinctive C-shaped facade that wraps around from roof to ground, the various heights designed to mimic the movement of waves. First floor cantilevering forms a direct 'floating' connection that also references the nearby sea. This Victorian seaside residence escapes all the cliches long-favoured in beach house design while being cleverly tailored to make the most of it's location and magnificent views over sparkling waters and bobbing yachts at anchor. Inside, a bespoke staircase is a striking interior feature. Designed in consultation with a structural engineer, each solid timber stair tread sits perfectly in between long vertical timber battens without the need for stair stringers. This unique staircase provides a feeling of lightness to complement the floating facade and continuous flow of internal spaces. The exterior is clad with Blackbutt timber and full-height windows on the north-east facade allow passive solar thermal comfort year round. The west facade features large eaves and highlight and slot windows with low-e glass to inhibit heat storage from the sun during summer. A cantilever suspended 2.5 metres from the main bedroom hovers above decking to establish volume and allow views of the sea. It is also a response to Council guidelines that specify the building must provide an aesthetic impact as an integral part of the marina development.
Denver Mid Century
Denver Mid Century
MaterialMaterial
Product: White Limestone Photo: Warren Jordan
Idéer för att renovera ett 50 tals vitt hus, med allt i ett plan, platt tak och tak i metall
Saint Helena Modern Farmhouse
Saint Helena Modern Farmhouse
Matt FriendMatt Friend
Idéer för att renovera ett lantligt svart hus, med allt i ett plan, metallfasad, tak i metall och platt tak
Contemporary Custom Home
Contemporary Custom Home
Lochwood-Lozier Custom HomesLochwood-Lozier Custom Homes
Modern inredning av ett stort flerfärgat hus, med två våningar, blandad fasad, platt tak och tak i metall
Harrison: 1x2e
Harrison: 1x2e
Studio 12 ArchitectureStudio 12 Architecture
Michael David Rose Photography
Inspiration för stora moderna grå hus, med tre eller fler plan, blandad fasad, platt tak och tak i metall
Beach Drive Remodel, Camano Island WA
Beach Drive Remodel, Camano Island WA
Dan Nelson, Designs Northwest ArchitectsDan Nelson, Designs Northwest Architects
Photography by Lucas Henning.
Exempel på ett litet modernt hus, med två våningar, platt tak och tak i metall
Modern Golf Course Home
Modern Golf Course Home
HMH Architecture + InteriorsHMH Architecture + Interiors
Using the same materials inside and out: Cedar T&G siding, buff sandstone and bronze accents the line between inside/outside is blurred. © Andrew Pogue
New Modern Single Family Home in Menlo Park
New Modern Single Family Home in Menlo Park
MESH dbsMESH dbs
Fredrik Brauer
Bild på ett stort funkis flerfärgat hus, med två våningar, tegel, platt tak och tak i metall
Beach House at Avoca Beach by Architecture Saville Isaacs
Beach House at Avoca Beach by Architecture Saville Isaacs
Architecture Saville IsaacsArchitecture Saville Isaacs
Exterior - Rear Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

7 091 foton på hus, med platt tak och tak i metall

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