57 foton på matplats, med klinkergolv i keramik och en spiselkrans i betong
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M. Designs ArchitectsCantilevered circular dining area floating on top of the magnificent lap pool, with mosaic Hands of God tiled swimming pool. The glass wall opens up like an aircraft hanger door blending the outdoors with the indoors. Basement, 1st floor & 2nd floor all look into this space. basement has the game room, the pool, jacuzzi, home theatre and sauna
Erinn V. Design GroupIdéer för stora funkis separata matplatser, med vita väggar, en dubbelsidig öppen spis, en spiselkrans i betong och klinkergolv i keramik
Quality Floors FirstModern inredning av en mellanstor matplats med öppen planlösning, med beige väggar, klinkergolv i keramik, en standard öppen spis och en spiselkrans i betong
Artefact Design & SalvageCast natural grey concrete which has been heat cured, densified and polished for stain resistance, the top has custom inset steel rivet corners. The Trestle Base is fabricated from clean redwood railroad ties salvaged from a 1870's California Gold Country spur. Each table is made to order and custom sizes are available.
Photo by Adrian Gregorutti
Box Clever InteriorsIdéer för att renovera ett mellanstort skandinaviskt kök med matplats, med vita väggar, vitt golv, klinkergolv i keramik, en standard öppen spis och en spiselkrans i betong
Mil-limetreConstruido en 1910, el piso de 158 m2 en la calle Bruc tiene todo el encanto de la época, desde los azulejos hidráulicos hasta las molduras, sin olvidar las numerosas puertas con vidrieras y los elementos de carpintería.
Lo más interesante de este apartamento son los azulejos hidráulicos, que son diferentes en cada habitación. Esto nos llevó a una decoración minimalista para dar paso a los motivos muy coloridos y poderosos del suelo.
Fue necesario realizar importantes obras de renovación, especialmente en la galería donde la humedad había deteriorado por completo la carpintería.
Cristee-Meade Building CompanyInspiration för ett mellanstort rustikt kök med matplats, med klinkergolv i keramik, en dubbelsidig öppen spis, en spiselkrans i betong, grå väggar och beiget golv
Layzell ArchitectsWilliam Layzell
Idéer för ett mellanstort modernt kök med matplats, med vita väggar, klinkergolv i keramik, en öppen vedspis, en spiselkrans i betong och grått golv
Idéer för ett mellanstort modernt kök med matplats, med vita väggar, klinkergolv i keramik, en öppen vedspis, en spiselkrans i betong och grått golv
MIRABEL STUDIOIdéer för en mellanstor klassisk matplats med öppen planlösning, med gröna väggar, klinkergolv i keramik, en spiselkrans i betong och brunt golv
Studio WherDecoPaula et Guillaume ont acquis une nouvelle maison. Et pour la 2è fois ils ont fait appel à WherDeco. Pour cette grande pièce de vie, ils avaient envie d'espace, de décloisonnement et d'un intérieur qui arrive à mixer bien sûr leur 2 styles : le contemporain pour Guillaume et l'industriel pour Paula. Nous leur avons proposé le forfait Déco qui comprenait un conseil couleurs, des planches d'ambiances, les plans 3D et la shopping list.
LavishOpen Concept Kitchen and Family Room. Designed by Suzi Kaloti, staged by Ali Amer, Artwork by Shawn Skeir.
Exempel på ett mellanstort modernt kök med matplats, med klinkergolv i keramik, vitt golv, beige väggar, en standard öppen spis och en spiselkrans i betong
Exempel på ett mellanstort modernt kök med matplats, med klinkergolv i keramik, vitt golv, beige väggar, en standard öppen spis och en spiselkrans i betong
Paul Cashin ArchitectsPhotography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
Geoff Chick & AssociatesInspiration för en stor maritim matplats med öppen planlösning, med vita väggar, klinkergolv i keramik, en standard öppen spis, en spiselkrans i betong och beiget golv
Cristee-Meade Building CompanyInspiration för mellanstora rustika kök med matplatser, med klinkergolv i keramik, en dubbelsidig öppen spis och en spiselkrans i betong
Bell ArquitecturaEste gran proyecto se ubica sobre dos parcelas, así decidimos situar la vivienda en la parcela topográficamente más elevada para maximizar las vistas al mar y crear un gran jardín delantero que funciona de amortiguador entre la vivienda y la vía pública. Las líneas modernas de los volúmenes dialogan con los materiales típicos de la isla creando una vivienda menorquina y contemporánea.
El proyecto diferencia dos volúmenes separados por un patio que aporta luz natural, ventilación cruzada y amplitud visual. Cada volumen tiene una función diferenciada, en el primero situamos la zona de día en un gran espacio diáfano profundamente conectado con el exterior, el segundo en cambio alberga, en dos plantas, las habitaciones y los espacios de servicio creando la privacidad necesaria para su uso.
Paul Cashin ArchitectsPhotography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
Waltham Floor CoveringInspiration för stora klassiska matplatser med öppen planlösning, med beige väggar, klinkergolv i keramik, en standard öppen spis och en spiselkrans i betong
Robin Chaignet Architecte DPLGRCA
Bild på en mellanstor lantlig separat matplats, med vita väggar, klinkergolv i keramik, en dubbelsidig öppen spis, en spiselkrans i betong och orange golv
Bild på en mellanstor lantlig separat matplats, med vita väggar, klinkergolv i keramik, en dubbelsidig öppen spis, en spiselkrans i betong och orange golv
Skale Building DesignIdéer för en modern matplats med öppen planlösning, med vita väggar, klinkergolv i keramik, en dubbelsidig öppen spis, en spiselkrans i betong och grått golv
MORSKOY ARCHITECTIdéer för mellanstora funkis kök med matplatser, med svarta väggar, klinkergolv i keramik, en dubbelsidig öppen spis, en spiselkrans i betong och grått golv
57 foton på matplats, med klinkergolv i keramik och en spiselkrans i betong
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