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Architecture Saville IsaacsInterior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Laura Burton InteriorsAn Indoor Lady
Bild på ett mellanstort funkis allrum med öppen planlösning, med grå väggar, betonggolv, en dubbelsidig öppen spis, en väggmonterad TV och en spiselkrans i trä
Bild på ett mellanstort funkis allrum med öppen planlösning, med grå väggar, betonggolv, en dubbelsidig öppen spis, en väggmonterad TV och en spiselkrans i trä
FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Paul Davis ArchitectsPhotograph by Art Gray
Inredning av ett modernt mellanstort allrum med öppen planlösning, med ett bibliotek, vita väggar, betonggolv, en standard öppen spis, en spiselkrans i trä och grått golv
Inredning av ett modernt mellanstort allrum med öppen planlösning, med ett bibliotek, vita väggar, betonggolv, en standard öppen spis, en spiselkrans i trä och grått golv
Mark HardyExempel på ett mycket stort retro allrum med öppen planlösning, med ett finrum, blå väggar, betonggolv, en öppen hörnspis, en spiselkrans i metall och grått golv
Corbin Reeves ConstructionIdéer för mellanstora maritima allrum med öppen planlösning, med vita väggar, en bred öppen spis, en spiselkrans i sten, betonggolv och beiget golv
ID3 Interior DesignPhoto by Sinead Hastings Tahoe Real Estate Photography
Idéer för ett mycket stort modernt allrum med öppen planlösning, med vita väggar, betonggolv, en standard öppen spis, en spiselkrans i sten, en väggmonterad TV och grått golv
Idéer för ett mycket stort modernt allrum med öppen planlösning, med vita väggar, betonggolv, en standard öppen spis, en spiselkrans i sten, en väggmonterad TV och grått golv
JMA (Jim Murphy and Associates)Technical Imagery Studios
Idéer för att renovera ett mycket stort lantligt avskilt allrum, med ett spelrum, grå väggar, betonggolv, en spiselkrans i sten, en dold TV och brunt golv
Idéer för att renovera ett mycket stort lantligt avskilt allrum, med ett spelrum, grå väggar, betonggolv, en spiselkrans i sten, en dold TV och brunt golv
Dan Nelson, Designs Northwest ArchitectsLiving room looking towards the North Cascades.
Image by Steve Brousseau
Idéer för att renovera ett litet industriellt allrum med öppen planlösning, med vita väggar, betonggolv, en öppen vedspis, grått golv och en spiselkrans i gips
Idéer för att renovera ett litet industriellt allrum med öppen planlösning, med vita väggar, betonggolv, en öppen vedspis, grått golv och en spiselkrans i gips
Inspiration för mycket stora moderna allrum med öppen planlösning, med vita väggar, en bred öppen spis, en spiselkrans i gips, betonggolv och grått golv
Testorff Construction, Inc.On a bare dirt lot held for many years, the design conscious client was now given the ultimate palette to bring their dream home to life. This brand new single family residence includes 3 bedrooms, 3 1/2 Baths, kitchen, dining, living, laundry, one car garage, and second floor deck of 352 sq. ft.
HW InteriorsIdéer för små vintage allrum med öppen planlösning, med grå väggar, en standard öppen spis, ett finrum, betonggolv, en spiselkrans i trä och beiget golv
| SPIRAL ARCHITECTS |The original ceiling, comprised of exposed wood deck and beams, was revealed after being concealed by a flat ceiling for many years. The beams and decking were bead blasted and refinished (the original finish being damaged by multiple layers of paint); the intact ceiling of another nearby Evans' home was used to confirm the stain color and technique.
Architect: Gene Kniaz, Spiral Architects
General Contractor: Linthicum Custom Builders
Photo: Maureen Ryan Photography
Ware Architecture StudioFoto på ett mycket stort funkis allrum med öppen planlösning, med ett finrum, vita väggar, betonggolv, en hängande öppen spis, en spiselkrans i tegelsten, en väggmonterad TV och flerfärgat golv
European HomeThe Lucius 140 Tunnel by Element4 is a perfectly proportioned linear see-through fireplace. With this design you can bring warmth and elegance to two spaces -- with just one fireplace.
Rosewood Custom BuildersJenn Baker
Inredning av ett industriellt stort allrum med öppen planlösning, med grå väggar, betonggolv, en bred öppen spis, en spiselkrans i tegelsten, en väggmonterad TV och grått golv
Inredning av ett industriellt stort allrum med öppen planlösning, med grå väggar, betonggolv, en bred öppen spis, en spiselkrans i tegelsten, en väggmonterad TV och grått golv
Prentiss Balance Wickline ArchitectsPhotography by Eirik Johnson
Foto på ett mellanstort funkis separat vardagsrum, med betonggolv, en dubbelsidig öppen spis och en spiselkrans i metall
Foto på ett mellanstort funkis separat vardagsrum, med betonggolv, en dubbelsidig öppen spis och en spiselkrans i metall
Zach Savage Homes, LLCAmy Johnston Harper
Exempel på ett mycket stort retro allrum med öppen planlösning, med en hemmabar, vita väggar, betonggolv, en standard öppen spis, en spiselkrans i tegelsten och en väggmonterad TV
Exempel på ett mycket stort retro allrum med öppen planlösning, med en hemmabar, vita väggar, betonggolv, en standard öppen spis, en spiselkrans i tegelsten och en väggmonterad TV
Talbot's ServicesModern living area: the exposed brick gives the room a rustic feel contrasted with the modernity of the polished cement flooring and furnishings.
Industriell inredning av ett mycket stort loftrum, med svarta väggar, betonggolv, en öppen hörnspis, en spiselkrans i betong och en inbyggd mediavägg
Industriell inredning av ett mycket stort loftrum, med svarta väggar, betonggolv, en öppen hörnspis, en spiselkrans i betong och en inbyggd mediavägg
Johker DesignGorgeous Modern Waterfront home with concrete floors,
walls of glass, open layout, glass stairs,
Inredning av ett modernt stort allrum med öppen planlösning, med vita väggar, betonggolv, en standard öppen spis, en spiselkrans i trä, ett finrum och grått golv
Inredning av ett modernt stort allrum med öppen planlösning, med vita väggar, betonggolv, en standard öppen spis, en spiselkrans i trä, ett finrum och grått golv
6 237 foton på sällskapsrum, med betonggolv
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