River
mirror back light
Hanging drawer unit, floor pattern
White Deco thin wall coverings by Marazzi in Jungle Touch.
Mixed series by Ragno in bas-relief effect.
Flow Zero shower tray by Acquabella.
The visual centre of the open-plan living-dining-kitchen area is a four-metre island bench made from hot-rolled stainless steel. “It is a lovely material to the touch, and is highly wear- and stain resistant. The untreated finish has a lightly streaky pattern. No comparison to the ordinary steel finishes in industrial kitchens,” says Eber. Eber Designtüren GmbH With an integrated sink, a wide stovetop that includes downdraft ventilation (from Concept Suisse), and the drawer fronts that surround the countertop, the substantial island looks exquisite from all angles. The design hides a unique feature: “To make sure that liquids cannot drip off of the counter and into the drawers, we attached a raised edge with a cleanly welded triangular bar,” says Eber. This bath-like feature is not visible from the outside of the island.
the female image
The client wanted to feel like the dining table was integrated into the space. It was a way of almost making the kitchen disappear when they are not using it, so it becomes an extension of the dining space.
A compact swimming pool is the focal point of the newly created outdoor area. “It’s tight but it works,” says Ristevski. “We designed a pool fence in steel with glass gates at either end. This allows air to flow through and makes the backyard feel larger. It was the best decision – I love the fence. “I selected pool-friendly weeping lilly pilly with ground cover on the pool perimeter, which work brilliantly. And the retro-style yellow-and-white Basil Bangs umbrella carries the fun outside,” she says.
The vintage dining chairs were a savvy online marketplace find. “I resprayed the frames and had them reupholstered in a Kvadrat fabric. I love them – they connect so beautifully with the greenery outside,” says Ristevski. Done in Bronze
Cladding and under-storey finish
"Exposed concrete walls are cast in layers with different components in the dosage, giving it the appearance of geological strata," the firm said.
For the exterior walls, the team used irregular layers of concrete.
floor
better treatment of our existing colour scheme.
Same colour as our kitchen but very nice with the soft wall colour and the copper pipe hanger for tools - this is how our kitchen, shelving and nick nacks should look. The timber is teamed with copper surfaces and duck-egg blue cabinetry The brief for The Quarter Glass House called for warm and textural materials, so the interior combines exposed timber with muted copper surfaces and cabinetry painted a duck-egg blue. The ceiling soffit is constructed from Douglas fir that is complemented by the copper-topped, birch ply kitchen island and the pale-pink microcement that was used as a wall finish and splashback.
Soft white green look, roof lights, window seat
Robert's BR Screens Sliding polycarbonate screens surround the wardrobe, steps and bed, creating a lantern-like "sleeping cocoon" that can be closed-off from the living area or opened up to views through the room's north-facing bay window.
The interiors have a muted material palette Lime-stained bricks salvaged from the demolition of the original house are repurposed both inside and outside the building. Along with the brick, the materials used for the exterior include beige wooden window frames, steel columns and the polycarbonate sheeting.
neat little heater - and corridor concept is the same as ours
can we get this feel of enclosed garden down at river - with the brick wall being the glass house back wall
Similar to the exterior, interiors also feature pigmented concrete walls "The house is built with concrete block, since it is the most accessible material in the area, and its exterior and interior are covered with cement and natural pigments," she said.
Could this bottom two floors be replicated and achieve the same feel. Love the little windows and big block of solid glass and the overhand
again a perforated finish - this time in weathered steel. Architect Javier de las Heras Solé has completed a music school building in the northern Spanish town of Amorebieta-Etxano, featuring a concrete podium and facades clad in weathering-steel mesh that allows partial views of the interior. Javier de las Heras Solé won a competition to design the Zubiaur Musika Eskola, which adjoins the Basque town's existing Zeleieta Zentroa cultural centre. According to the architect, the four-storey structure was designed as "an autonomous organism" that lightly touches the cultural centre's northern wall, but is entirely separate in terms of its structure and programme.
Flat screen but don't like the frame - would be better cut out of one thicker piece.
Q