158 foton på skandinavisk hall, med grått golv
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Studio Bua
The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
AS Designer d’intérieur
Style scandinave et lumineux pour cette colocation jeunes travailleurs.
Inspiration för en mellanstor skandinavisk hall, med grå väggar, klinkergolv i keramik och grått golv
Inspiration för en mellanstor skandinavisk hall, med grå väggar, klinkergolv i keramik och grått golv
LESH
Главной особенностью этого проекта был синий цвет стен.
Inspiration för mellanstora skandinaviska hallar, med grå väggar, ljust trägolv och grått golv
Inspiration för mellanstora skandinaviska hallar, med grå väggar, ljust trägolv och grått golv
transstruktura
Das Innere des Gebäudes wird mittels einer durchgehenden Mittelwand strukturiert. Diese zweigeschossige Wand teilt das Gebäude in Aufenthaltsräume und Erschließungsräume und steht deshalb asymmetrisch in der Gebäudebreite. Konstruktiv wird diese Wandscheibe aus Sichtbeton auch Aufleger für den First, sodass die innere Gebäudestruktur auch die Außenhülle mitgestaltet.
Nordic Design & Architects
Montañas nevadas
El solo pensar en montañas nevadas nos remonta a un buen recuerdo familiar, o con buenos amigos.
Donde con tan solo el olor y la tranquilidad de la naturaleza causa un efecto en nuestra mente y cuerpo.
Nos hemos enfocado a vizualizar 3D un nuevo conjunto de apartamentos, con un Diseño de Interior que llene de tranquilidad a cada visitante con un estilo Nordico pero principalemnte acogedor, usando materiales naturales convirtiendo cada espacio en una experiencia unica para poder pasar un tiempo agradable, donde el viento frio de las montañas no es el unico ambiente del que se puede drisfrutar, haciendo un cambio de gran calidez en el Sauna o al lado de la chimenea.
Visualizando cada espacio con el obejtivo de brindar soluciones.
Архитектор-дизайнер Диана Миронова
Inspiration för mellanstora minimalistiska hallar, med vinylgolv och grått golv
HOMESTAGING Sandra Fischer
Idéer för en liten nordisk hall, med vita väggar, laminatgolv och grått golv
Stefan Reiser
Pivottür
Foto på en mellanstor skandinavisk hall, med vita väggar, klinkergolv i keramik och grått golv
Foto på en mellanstor skandinavisk hall, med vita väggar, klinkergolv i keramik och grått golv
User
Eine Garderobe mal ganz anders. Der Birkenwald im Hintergrund wird vorn zur Realität. Edelstahlhaken als Aufhängung werden noch montiert.
Inredning av en minimalistisk mellanstor hall, med grå väggar, marmorgolv och grått golv
Inredning av en minimalistisk mellanstor hall, med grå väggar, marmorgolv och grått golv
Sincro
Inspiration för en mellanstor nordisk hall, med grå väggar, klinkergolv i keramik och grått golv
株式会社 DESIGN STUDIO CROW
Service : Guest Rooms
Location : 大阪市中央区
Area : 2 rooms
Completion : AUG / 2018
Designer : T.Fujimoto / R.Kubota
Photos : Kenta Hasegawa
Link : http://www.swissotel-osaka.co.jp/
transstruktura
Sitznische am Fenster
Foto på en minimalistisk hall, med vita väggar, betonggolv och grått golv
Foto på en minimalistisk hall, med vita väggar, betonggolv och grått golv
User
Weiße Möbel und weiße Wände domnieren den Flur im Erdgeschoss. © FingerHaus GmbH
Bild på en nordisk hall, med vita väggar och grått golv
Bild på en nordisk hall, med vita väggar och grått golv
DIALOG Architecture - Rénovation et Extensions
L'harmonie de couleur du gris et du bleu foncé et le mélange avec la matière du bois donne un résultat relaxant agréable à regarder et la lumière apporte ce petit effet cocooning
PRF Studio di Gianluca Pezzoli
In cima alla scala rivestita in legno ci troviamo in una zona completamente illuminata da led e caratterizzata da un controsoffitto anch'esso in legno, la barriera in vetro non ostacola la vista di questo spettacolo
Studio Bua
The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Оксана Жукова
Жукова Оксана
Inspiration för små nordiska hallar, med grå väggar, klinkergolv i porslin och grått golv
Inspiration för små nordiska hallar, med grå väggar, klinkergolv i porslin och grått golv
158 foton på skandinavisk hall, med grått golv
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