302 foton på vitt hus, med metallfasad
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MADE Architectural ConstructionsClose up of the pre-insulated Diversiclad colorbond cladding and customised black polycarbonate pergola. Blackbutt shiplap KD hardwood cladding window detail and wall cladding.
Builder: MADE - Architectural Constructions
Design: Space Design Architectural (SDA)
Photo: Lincoln Jubb
YUTOROSU architectsModern inredning av ett mellanstort svart hus i flera nivåer, med metallfasad, pulpettak och tak i metall
Thomas AlexanderThis backland development is currently under
construction and comprises five 3 bedroom courtyard
houses, four two bedroom flats and a commercial unit
fronting Heath Road.
Previously a garage site, the project had an
unsuccessful planning history before Thomas
Alexander crafted the approved scheme and was
considered an un-developable site by the vendor.
The proposal of courtyard houses with adaptive roof
forms minimised the massing at sensitive areas of the
backland site and created a predominantly inward
facing housetype to minimise overlooking and create
light, bright and tranquil living spaces.
The concept seeks to celebrate the prior industrial
use of the site. Formal brickwork creates a strong
relationship with the streetscape and a standing seam
cladding suggests a more industrial finish to pay
homage to the prior raw materiality of the backland
site.
The relationship between these two materials is ever
changing throughout the scheme. At the streetscape,
tall and slender brick piers ofer a strong stance and
appear to be controlling and holding back a metal
clad form which peers between the brickwork. They
are graceful in nature and appear to effortlessly
restrain the metal form.
Phase two of the project is due to be completed in
the first quarter of 2020 and will deliver 4 flats and a
commercial unit to the frontage at Heath Road.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
maruyama architects officephoto : masakazu koga
Idéer för att renovera ett funkis beige hus, med två våningar, metallfasad och pulpettak
Idéer för att renovera ett funkis beige hus, med två våningar, metallfasad och pulpettak
辰野武山建築設計事務所中庭のある家
Inredning av ett modernt mellanstort vitt hus, med två våningar, metallfasad och platt tak
Inredning av ett modernt mellanstort vitt hus, med två våningar, metallfasad och platt tak
APE Architecture and Design Ltd.Peter Landers Photography
Inspiration för ett stort vintage svart hus, med två våningar, metallfasad, valmat tak och tak med takplattor
Inspiration för ett stort vintage svart hus, med två våningar, metallfasad, valmat tak och tak med takplattor
MOAH ArquitectosInspiration för ett stort funkis svart hus, med två våningar, metallfasad och sadeltak
株式会社 DIGDESIGN二世帯住宅の玄関先には、木製のルーバーに囲まれた半屋外の空間を設けました。日曜大工やお子さんのプールをするにも十分なスペースです。
Exempel på ett modernt vitt hus, med metallfasad, pulpettak och tak i mixade material
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Stephen Bobbitt ArchitectsWilliam Wright Photography
Lantlig inredning av ett grått hus, med metallfasad
Lantlig inredning av ett grått hus, med metallfasad
NORDIC BUILDERS - MODERN TIMBERFRAME DESIGN BUILDCloudy day pic from the east side. No overhangs or soffits besides the prow. But hard to tell because the large gutters provide a shadow line and a small overhang. And the prow breaks it up too preventing it from looking too stark while providing functional shading for the loft windows. Not so much for this sides tiny windows but the other side is all windows.
Houzz-ID: 302440619Inredning av ett modernt mellanstort vitt hus, med allt i ett plan, metallfasad, sadeltak och tak i metall
Kitsap Garage Door Co.Idéer för ett stort modernt grått hus, med två våningar, metallfasad och platt tak
Mountaincraft Design/Constructions P/LNew House
Modern inredning av ett mellanstort hus, med allt i ett plan, metallfasad, platt tak och tak i metall
Modern inredning av ett mellanstort hus, med allt i ett plan, metallfasad, platt tak och tak i metall
本井建築研究所一級建築士事務所建物外観（2）
Exempel på ett mellanstort modernt grått hus, med två våningar, metallfasad, platt tak och tak i metall
Exempel på ett mellanstort modernt grått hus, med två våningar, metallfasad, platt tak och tak i metall
302 foton på vitt hus, med metallfasad
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