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Peninsula Building Materials
Ammirato Construction's use of K2's Pacific Ashlar thin veneer, is beautifully displayed on many of the walls of this property.
Inspiration för ett stort retro grått hus, med två våningar, blandad fasad och sadeltak
Inspiration för ett stort retro grått hus, med två våningar, blandad fasad och sadeltak
E Builders Homes
Zachary Molino
Idéer för stora lantliga vita hus, med två våningar och fiberplattor i betong
Idéer för stora lantliga vita hus, med två våningar och fiberplattor i betong
Period Architecture Ltd.
Eric Roth
Inspiration för ett lantligt grått hus, med två våningar, sadeltak och tak i shingel
Inspiration för ett lantligt grått hus, med två våningar, sadeltak och tak i shingel
Strandberg Construction Inc
Inredning av ett maritimt grått trähus, med allt i ett plan, sadeltak och tak i metall
Howell Custom Building Group
Rob Karosis, Sabrina Inc
Exempel på ett stort klassiskt grått trähus, med två våningar
Exempel på ett stort klassiskt grått trähus, med två våningar
ADŌR Homes
SpaceCrafting Real Estate Photography
Idéer för ett mellanstort klassiskt vitt trähus, med två våningar och sadeltak
Idéer för ett mellanstort klassiskt vitt trähus, med två våningar och sadeltak
the Airey Group
Klassisk inredning av ett mellanstort vitt hus, med tre eller fler plan, tegel och valmat tak
Marvin
Architect: Blaine Bonadies, Bonadies Architect
Photography By: Jean Allsopp Photography
“Just as described, there is an edgy, irreverent vibe here, but the result has an appropriate stature and seriousness. Love the overscale windows. And the outdoor spaces are so great.”
Situated atop an old Civil War battle site, this new residence was conceived for a couple with southern values and a rock-and-roll attitude. The project consists of a house, a pool with a pool house and a renovated music studio. A marriage of modern and traditional design, this project used a combination of California redwood siding, stone and a slate roof with flat-seam lead overhangs. Intimate and well planned, there is no space wasted in this home. The execution of the detail work, such as handmade railings, metal awnings and custom windows jambs, made this project mesmerizing.
Cues from the client and how they use their space helped inspire and develop the initial floor plan, making it live at a human scale but with dramatic elements. Their varying taste then inspired the theme of traditional with an edge. The lines and rhythm of the house were simplified, and then complemented with some key details that made the house a juxtaposition of styles.
The wood Ultimate Casement windows were all standard sizes. However, there was a desire to make the windows have a “deep pocket” look to create a break in the facade and add a dramatic shadow line. Marvin was able to customize the jambs by extruding them to the exterior. They added a very thin exterior profile, which negated the need for exterior casing. The same detail was in the stone veneers and walls, as well as the horizontal siding walls, with no need for any modification. This resulted in a very sleek look.
MARVIN PRODUCTS USED:
Marvin Ultimate Casement Window
Scott Becker | Architect
Main entry & courtyard: Sozinho Imagery
Foto på ett maritimt grått hus, med allt i ett plan
Foto på ett maritimt grått hus, med allt i ett plan
J Visser Design
Builder: Scott Christopher Homes
Interior Designer: Francesca Owings
Landscaping: Rooks Landscaping
Bild på ett vintage grått trähus, med två våningar
Bild på ett vintage grått trähus, med två våningar
david phillips
renovation and addition / builder - EODC, LLC.
Inspiration för ett mellanstort vintage grått hus, med tak i shingel och tre eller fler plan
Inspiration för ett mellanstort vintage grått hus, med tak i shingel och tre eller fler plan
Bruns Architecture
Tricia Shay Photography
Modern inredning av ett mellanstort grått hus, med två våningar, blandad fasad och pulpettak
Modern inredning av ett mellanstort grått hus, med två våningar, blandad fasad och pulpettak
Bergeron Custom Homes, LLC
Idéer för ett lantligt vitt hus, med två våningar och tak i mixade material
Exterior Worlds Landscaping & Design
The problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
CHRISTIAN DEAN ARCHITECTURE, LLC
Chad Holder
Inspiration för ett mellanstort funkis vitt hus, med allt i ett plan, blandad fasad och platt tak
Inspiration för ett mellanstort funkis vitt hus, med allt i ett plan, blandad fasad och platt tak
Pheasant Hill Homes Ltd.
Raymond de Beeld Architects Inc. www.rdbarchitect.ca/
Photos by: Artez Photography Corporation http://www.artezphoto.com/
152 947 foton på grått, vitt hus
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