Vivienda unifamiliar entre medianeras en Badalona.
Exempel på ett mellanstort industriellt grått hus, med tre eller fler plan, platt tak och levande tak

Inspiration för ett mellanstort funkis grått hus, med tre eller fler plan och sadeltak

Photographer: Nikole Ramsay Stylist: Emma O'Meara
Modern inredning av ett grått hus, med två våningar, metallfasad och platt tak

Inspiration för ett mycket stort funkis grått betonghus, med två våningar och platt tak

External dusk view from Highgate Cemetery. Photography: Lyndon Douglas
Idéer för stora funkis grå hus, med tre eller fler plan och glasfasad

The bedroom wing nestles into the native Australian garden. Photo by Emma Cross
Idéer för ett stort industriellt grått hus i flera nivåer, med metallfasad

Modern inredning av ett grått hus i flera nivåer, med blandad fasad och platt tak

The rear extension is expressed as a simple gable form. The addition steps out to the full width of the block, and accommodates a second bathroom in addition to a tiny shed accessed on the rear facade. The remaining 2/3 of the facade is expressed as a recessed opening with sliding doors and a gable window.

Inredning av ett modernt grått hus, med tre eller fler plan och platt tak

State heritage listed, 'Alma' has been restored to create a much loved family home. A new softer colour scheme was selected to enhance the brick facade and to highlight the architectural features that give this grand home its character. A new garage has been added, designed to complement the scale and charm of the original house. Low maintenance gardens, with a contemporary edge, complete the work to the front of the property. Previously used as offices for an advertising agency, the grounds were swathed in asphalt for car parking. Interior design by Studio Gorman. Photo by Prue Ruscoe.

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Brock Beazley Photography
Exempel på ett klassiskt grått hus, med två våningar och sadeltak

Ben Wrigley
Bild på ett litet funkis grått hus, med allt i ett plan, tegel, platt tak och tak i metall

(c) RADON photography / Norman Radon
Idéer för stora funkis grå hus, med tre eller fler plan, stuckatur och sadeltak

Inspiration för stora moderna grå hus i flera nivåer, med platt tak

Daniel Koh
Idéer för ett exotiskt grått hus, med två våningar, platt tak och levande tak

Spectacular family home in Mosman.
Idéer för funkis grå hus

Adriano Pecchio Deck - terrazza, pavimento in doghe di larice naturale, muro in pietra a secco, acciaio cor-ten, rivestimento del tetto in scandole di legno di cedro. Palette colori: legno ossidato, grigio pietra, ruggine, bianco gesso, giallo Persia.

Photography by Maree Homer
Idéer för att renovera ett mellanstort funkis grått radhus, med tre eller fler plan och blandad fasad