74 128 foton på grått hus
JB Architecture Group, Inc.For this home we were hired as the Architect only. Siena Custom Builders, Inc. was the Builder.
+/- 5,200 sq. ft. home (Approx. 42' x 110' Footprint)
Cedar Siding - Cabot Solid Stain - Pewter Grey
Coastal Signature HomesTom Jenkins Photography
Siding color: Sherwin Williams 7045 (Intelectual Grey)
Shutter color: Sherwin Williams 7047 (Porpoise)
Trim color: Sherwin Williams 7008 (Alabaster)
Windows: Andersen
DESIGN GUILD HOMESBild på ett vintage grått trähus, med två våningar, sadeltak och tak i mixade material
Thompson ConstructionSpacecrafting / Architectural Photography
Inredning av ett amerikanskt mellanstort grått hus, med två våningar, sadeltak och tak i metall
Inredning av ett amerikanskt mellanstort grått hus, med två våningar, sadeltak och tak i metall
Argonaut Window & Door, Inc.GHG Builders
Andersen 100 Series Windows
Andersen A-Series Doors
Idéer för att renovera ett stort lantligt grått hus, med två våningar, sadeltak och tak i metall
Idéer för att renovera ett stort lantligt grått hus, med två våningar, sadeltak och tak i metall
Oak Hill ArchitectsRoof Color: Weathered Wood
Siding Color: Benjamin Moore matched to C2 Paint's Wood Ash Color.
Inredning av ett klassiskt stort grått hus, med två våningar och tak i shingel
Inredning av ett klassiskt stort grått hus, med två våningar och tak i shingel
Jordan Iverson Signature Homes2012 KuDa Photography
Bild på ett stort funkis grått hus, med metallfasad, tre eller fler plan och pulpettak
Bild på ett stort funkis grått hus, med metallfasad, tre eller fler plan och pulpettak
HEYDT DESIGNSResidential Design by Heydt Designs, Interior Design by Benjamin Dhong Interiors, Construction by Kearney & O'Banion, Photography by David Duncan Livingston
Architekturbüro GaißerIdéer för funkis grå hus, med tre eller fler plan, metallfasad, sadeltak och tak i metall
Kipnis Architecture + PlanningThis is the renovated design which highlights the vaulted ceiling that projects through to the exterior.
Inspiration för ett litet 60 tals grått hus, med allt i ett plan, fiberplattor i betong, valmat tak och tak i shingel
Inspiration för ett litet 60 tals grått hus, med allt i ett plan, fiberplattor i betong, valmat tak och tak i shingel
Quarry MillEmpire real thin stone veneer from the Quarry Mill adds modern elegance to this stunning residential home. Empire natural stone veneer consists of mild shades of gray and a consistent sandstone texture. This stone comes in various sizes of mostly rectangular-shaped stones with squared edges. Empire is a great stone to create a brick wall layout while still creating a natural look and feel. As a result, it works well for large and small projects like accent walls, exterior siding, and features like mailboxes. The light colors will blend well with any décor and provide a neutral backing to any space.
CLB ArchitectsAudrey Hall Photography
Idéer för att renovera ett lantligt grått hus, med allt i ett plan, blandad fasad, sadeltak och tak i shingel
Idéer för att renovera ett lantligt grått hus, med allt i ett plan, blandad fasad, sadeltak och tak i shingel
Arcanum ArchitectureBild på ett stort funkis grått hus, med tre eller fler plan, blandad fasad och sadeltak
Timberlake Custom HomesGorgeous Craftsman mountain home with medium gray exterior paint, Structures Walnut wood stain on the rustic front door with sidelites. Cultured stone is Bucks County Ledgestone & Flagstone
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Alair Homes DecaturPhotography by Jeff Herr
Bild på ett vintage grått hus, med två våningar, valmat tak och tak i shingel
Bild på ett vintage grått hus, med två våningar, valmat tak och tak i shingel
Alair Homes ClemsonThis house features an open concept floor plan, with expansive windows that truly capture the 180-degree lake views. The classic design elements, such as white cabinets, neutral paint colors, and natural wood tones, help make this house feel bright and welcoming year round.
Lupi Luxury HomesWest Coast Contemporary
Inspiration för stora moderna grå hus, med två våningar, stuckatur, mansardtak och tak i shingel
Inspiration för stora moderna grå hus, med två våningar, stuckatur, mansardtak och tak i shingel
Lynn Unflat Interiors, LLCphoto credit Matthew Niemann
Bild på ett stort 60 tals grått hus, med allt i ett plan, stuckatur, valmat tak och tak i shingel
Bild på ett stort 60 tals grått hus, med allt i ett plan, stuckatur, valmat tak och tak i shingel
74 128 foton på grått hus
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