Idéer för stora vintage grå trähus, med två våningar och mansardtak

This Ashgrovian Queenslander with grand double gable was desperately in need of a facelift. This home was restored, renovated and extended to turn it in to a modern family home.

Inredning av ett maritimt stort grått hus, med två våningar

Idéer för ett mellanstort modernt grått betonghus, med tre eller fler plan och platt tak

The front of the property which was previously unrendered, had no garden and no street appeal.
Inspiration för ett litet vintage grått betonghus, med tre eller fler plan och sadeltak

Hauseingangstüre
Modern inredning av ett grått radhus, med tak i metall

Idéer för att renovera ett funkis grått hus, med två våningar och platt tak

Gianluca Grassano Vittorio Sezzella
Idéer för att renovera ett litet funkis grått trähus, med allt i ett plan och platt tak

Idéer för små funkis grå hus, med allt i ett plan

James Hardie
Exempel på ett mellanstort modernt grått hus, med två våningar och fiberplattor i betong

ÁBATON's Portable Home ÁPH80 project, developed as a dwelling ideal for 2 people, easily transported by road and ready to be placed almost anywhere. Photo: Juan Baraja

Poppy's Farm Exterior
Lantlig inredning av ett stort grått hus, med allt i ett plan och tak i metall

Exterior - Front Entry Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Pic taken on sale of property by Ray White, Mount Barker. Used with permission. Lush garden with only Australian natives and attracting wildlife.

Foto: Michael Voit, Nußdorf
Inredning av ett modernt stort grått hus, med två våningar, sadeltak och tak med takplattor

Two story townhouse with angles and a modern aesthetic with brick, render and metal cladding. Large black framed windows offer excellent indoor outdoor connection and a large courtyard terrace with pool face the yard.

Inspiration för maritima grå hus, med två våningar och sadeltak

Inredning av ett modernt grått hus, med tre eller fler plan och platt tak

Das moderne Architektenhaus im Bauhaustil wirkt mit seiner hellgrauen Putzfassade sehr warm und harmonisch zu den Holzelementen der Garagenfassade. Hierbei wurde besonderer Wert auf das Zusammenspiel der Materialien und Farben gelegt. Die Rhombus Leisten aus Lärchenholz bekommen in den nächsten Jahren witterungsbedingt eine ansprechende Grau / silberfarbene Patina, was in der Farbwahl der Putzfassade bereits berücksichtigt wurde.