223 foton på skandinaviskt hus, med metallfasad
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そりっど設計室（SOLiD DESIGN ROOM) 一級建築士事務所Foto på ett minimalistiskt rött hus, med två våningar, metallfasad, sadeltak och tak i metall
User満開の桜と家。この家は庭先の桜との関係を考慮して配置されている。
©︎橘川雅史建築設計事務所
Bild på ett mellanstort nordiskt svart hus, med allt i ett plan, metallfasad, sadeltak och tak i metall
Bild på ett mellanstort nordiskt svart hus, med allt i ett plan, metallfasad, sadeltak och tak i metall
株式会社みさき建築研究所Inspiration för ett mellanstort minimalistiskt vitt hus, med två våningar, metallfasad, pulpettak och tak i metall
有限会社ミサオケンチクラボお子さん独立後のご夫婦の住まいです。
南北に縦長の敷地なので通常なら南に庭を取って南を主採光面にするところですが、この家は東を主採光面にしています。
縦長の敷地をさらに縦に分割して東面を主採光面とすることで、採光面積を大きくとることができ、結果、屋内と屋外が一体になった空間が実現できます。
この家のもう一つのコンセプトは、とにかく面倒な家事を楽にすることです。
浴室-洗面-パントリー-キッチン-洗濯室-物干しといった、主要な家事動線を一直線に「まっすぐ」並べて、移動距離を短くしています。
外観は、黒いBOXの一隅をBOX型でくり抜いたような構成としています。
外観は素っ気ないけれども中身はあたたかいよ、みたいなイメージです。
内部空間のリビングダイニングは、白い壁紙をベースに、アイボリー色のタイルやバーチ材など、シンプルで飽きのこない素材を組み合わせて、明るくやわらかい雰囲気の空間を目指しています。
前述のように、リビングダイニングは東面を主採光面としています。それに加えて、東側にデッキテラスを設けているので、リビングダイニングとテラスとが一体になった、広く開放的な空間になっています。
Lewis / Schoeplein architectsMinimalistisk inredning av ett litet brunt hus, med två våningar, metallfasad och pulpettak
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
株式会社 高野工務店ガルバリウム鋼板とレッドシダーの外壁。
ウッドフェンスも目を引きます。
Inredning av ett skandinaviskt mellanstort svart hus, med två våningar, metallfasad, pulpettak och tak i metall
Inredning av ett skandinaviskt mellanstort svart hus, med två våningar, metallfasad, pulpettak och tak i metall
おかやま設計室..Idéer för ett litet minimalistiskt svart hus, med två våningar, metallfasad, sadeltak och tak i metall
志田茂建築設計事務所ハモニカ（北欧から帰ってきた30代家族の家）
インターホンとポストを取り付けたコンクリート打ち放しの門柱。
外灯は真鍮製
Idéer för ett nordiskt vitt hus, med två våningar, metallfasad, sadeltak och tak i metall
Idéer för ett nordiskt vitt hus, med två våningar, metallfasad, sadeltak och tak i metall
NORD DOMOSЗаказчики этого проекта — молодая семья с европейскими взглядами на жизнь. Они мечтали о загородном доме для отдыха вдвоём, с семьёй и с друзьями. Дом хотели современный, небольшой и обязательно деревянный.
Проект Rote House выглядит необычно и смело, он идеально вписывается в ландшафт, становясь его неотъемлемой частью.
Нестандартную форму дома нам подсказал вытянутый участок. Здание имеет два корпуса, объединенных деревянной террасой. В основном корпусе расположились две спальни, кухня-гостиная с уникальным камином Focus. В гостевом корпусе — две спальни, каждая — с видом на море.
Для того, чтобы из всех комнат и с террасы открывались полноценные панорамные виды, мы приняли решение поднять весь дом на высоту 1.5 метра от земли. В фундаменте использованы бетонные сваи длиной 3 метра и консольная плита перекрытия. Благодаря этому фасады получили уникальный цоколь с обратным уклоном.
Панорамный обзор обеспечивают витрины высотой 3 метра и общей площадью 90 квадратных метров.
Террасу мы выложили из очень мягкой лиственницы. Материал по текстуре напоминает вельвет, поэтому каждый шаг приносит тактильное удовольствие.
Из дерева также выполнены входные зоны, подшивка навеса и внутренние стены. Это решение работает на контрасте с внешним образом дома: издалека он кажется неприступным и холодным за счет фасадов, облицованных металлом, в то время как внутри всего хочется коснуться, благодаря мягкости и теплоте дерева. Строгий снаружи, дом приятно обнимает внутри.
VESP ArchitectsLocated in a wooded area of coastline above South Sands in Salcombe, the design for this replacement dwelling looked to create a modern home that sits comfortably within its setting but also maximises connection and views out to the surrounding landscape and coast. A simple palette of natural materials reflects the wooded surroundings. The house is predominantly clad in timber, used in panels of either thick planks or narrow battens to give variety. White render and stone make up the rest of the palette, though key areas are finished in a bright rust-red Corten steel, adding colour and character to the neutral tones of wood and stone.
Nestled into the steeply sloping site and overlooking the Salcombe estuary, a key design driver for the house was maximising the view and connection with the garden, and large areas of glazing were provided no the south elevation. This glazing can be opened up to allow the outside spaces to become part of the living experience.
The house is entered at first floor, with living and kitchen areas at this level, and a large balcony directly off these spaces was therefore critical to provide outside dining and living space. Below this the bedrooms are sheltered by the overhang – giving protection and privacy. The swimming pool is located directly outside of the two bedrooms, and reflects morning sunlight onto the ceilings of the bedrooms.
森吉直剛アトリエ/MORIYOSHI NAOTAKE ATELIER ARCHITECTSPhoto Copyright Satoshi Shigeta
Inspiration för ett litet skandinaviskt flerfärgat hus, med tre eller fler plan, metallfasad, sadeltak och tak i metall
Inspiration för ett litet skandinaviskt flerfärgat hus, med tre eller fler plan, metallfasad, sadeltak och tak i metall
株式会社kotori畑に囲まれた長閑な土地に建つ中庭があるおしゃれなガルバリウムの家。前面道路に対しては窓を設けず、クローズな外観とし、隣接する北側の畑に向かって大きく開くプランとしました。
視線を気にすることなく、優しい光をふんだんに室内に取り込むことができます。
大きな庇の被さるピロティは駐車スペースやお子様の遊び場としても利用されます。
雨を遮れる空間となり、お子様の自転車を置く場所としても、車の荷物の積み降ろしの際にも活用できます。
Blake Civiello ArchitectureA simple entry with a spacious front porch/deck leading you the 'long' way around to fully take in the views. Photos by Norden Camp www.NordenTravel.com
NovaForma Architecture & Interior DesignThis house was designed with the scandinavian design in mind. The house structure is steelframe, with metal roof cladding covering even the walls. The house walls have thermal insulation and big span windows.
UserIdéer för att renovera ett mellanstort minimalistiskt svart hus, med allt i ett plan och metallfasad
Rasmus BlaesbjergOne of 3 different facades that captures the function area they each serve.
Photo: Ken Hermann
Inspiration för ett mellanstort minimalistiskt svart hus, med allt i ett plan och metallfasad
Inspiration för ett mellanstort minimalistiskt svart hus, med allt i ett plan och metallfasad
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Mアトリエ／岡村未来子photo by Miho Urushido
Nordisk inredning av ett litet brunt hus, med två våningar, metallfasad, pulpettak och tak i metall
Nordisk inredning av ett litet brunt hus, med två våningar, metallfasad, pulpettak och tak i metall
223 foton på skandinaviskt hus, med metallfasad
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