455 foton på litet retro hus
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Liv Companies LLC Design + BuildMatt Adema Media
Idéer för små retro oranga hus, med tre eller fler plan, metallfasad och pulpettak
Idéer för små retro oranga hus, med tre eller fler plan, metallfasad och pulpettak
ThreeTree ConstructionInredning av ett 50 tals litet blått hus, med allt i ett plan, valmat tak och tak i shingel
DPS ConstructionFrick Fotos
Inredning av ett retro litet grått betonghus, med allt i ett plan och platt tak
Inredning av ett retro litet grått betonghus, med allt i ett plan och platt tak
Mosaic Collective, LLC.Exterior, after installation of new doors and windows and landscaping improvements. Holly Baumann Photography
Exempel på ett litet 60 tals beige hus, med allt i ett plan och tegel
Exempel på ett litet 60 tals beige hus, med allt i ett plan och tegel
ECHT-ARCHITECTSThe Courtyard House, designed in 1964 by Sarasota School of Architecture's Jack West, is a Homes for Better Living Award winner, published in Architectural Record Houses of 1965. Known for it's simple materiality, open plan, and sweeping curving roof shape, the home had seen several renovations before the current owners came to us with a challenge: let us celebrate the spirit of the Courtyard House with a serene reflecting pool at the entry of the home.
The design strategy was to introduce several wall planes, perforated and screened with wood-look aluminum battens, that gradually reveal the home and provide a neutral base for the strong, sweeping curved form of the existing roof.
The introduction of the wall planes allowed for a subtle reorganization of the entry sequence, and a unique opportunity to experience the reflecting pool with a sense of privacy.
A new pool and terrace with integrated fire feature look over the beautiful Dolphin Waterway, and provide for a relaxing evening for the family, or a backdrop for a large gathering.
Winner of 2020 SRQ Magazine Home of the Year Platinum aware for Best Remodel/Renovation and Gold award for Band Best Landscape Design.
Donald Lococo ArchitectsDesigned in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right.
To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub.
Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.
Brewster Thornton Group Architects, LLPRobert Brewster Photography
Bild på ett litet retro beige hus, med två våningar, fiberplattor i betong, sadeltak och tak i shingel
Bild på ett litet retro beige hus, med två våningar, fiberplattor i betong, sadeltak och tak i shingel
AR Design Studio LtdPhotographers: Richard Seymour and Mike Ford
Bild på ett litet 50 tals hus, med allt i ett plan och pulpettak
Bild på ett litet 50 tals hus, med allt i ett plan och pulpettak
Neumann Monson ArchitectsPhoto: Cameron Campbell Integrated Studio
Inspiration för ett litet 50 tals hus, med två våningar
Inspiration för ett litet 50 tals hus, med två våningar
Arielle C. Schechter, AIAA twilight view of the cypress screening detail on the east side of the house facing the street gives the owners the privacy they wanted. Photo by Keith Isaacs.
Zayer Quality ConstructionInspiration för ett litet retro beige hus, med allt i ett plan, stuckatur, sadeltak och tak i shingel
Kay Cosby InteriorsThis client felt lost as far as design and selection. She'd already received my counsel regarding refinishing and the color of her kitchen cabinets. When she reached out to me again to assist with organizing her home and suggesting a few new pieces I was elated. A majority of the project consisted of relocating existing furniture and accessories as well as purging items that didn't work well with the design style. The guest room was transformed when we painted a lovely green color over the orange walls. The room that saw the most change was the dining room as it got all new furniture, a rug and wall color. I'm so thankful to know that this project is greatly loved. Photos by Barrett Woodward of Showcase Photographers
Studio Durham ArchitectsView of the house at dusk from the Woodland Garden on the uphill side of the house. New addition and bridge connection are too the right. Roof of original house was reframed to create a line of clerestory windows.
Photographer:Paul Bussman
Sarah Waddell, Pomeroy House InteriorsCy Gilbert
Inspiration för ett litet 60 tals rött hus, med allt i ett plan och stuckatur
Inspiration för ett litet 60 tals rött hus, med allt i ett plan och stuckatur
Donald Lococo ArchitectsDesigned in 1970 for an art collector, the existing referenced 70’s architectural principles. With its cadence of ‘70’s brick masses punctuated by a garage and a 4-foot-deep entrance recess. This recess, however, didn’t convey to the interior, which was occupied by disjointed service spaces. To solve, service spaces are moved and reorganized in open void in the garage. (See plan) This also organized the home: Service & utility on the left, reception central, and communal living spaces on the right.
To maintain clarity of the simple one-story 70’s composition, the second story add is recessive. A flex-studio/extra bedroom and office are designed ensuite creating a slender form and orienting them front to back and setting it back allows the add recede. Curves create a definite departure from the 70s home and by detailing it to "hover like a thought" above the first-floor roof and mentally removable sympathetic add.Existing unrelenting interior walls and a windowless entry, although ideal for fine art was unconducive for the young family of three. Added glass at the front recess welcomes light view and the removal of interior walls not only liberate rooms to communicate with each other but also reinform the cleared central entry space as a hub.
Even though the renovation reinforms its relationship with art, the joy and appreciation of art was not dismissed. A metal sculpture lost in the corner of the south side yard bumps the sculpture at the front entrance to the kitchen terrace over an added pedestal. (See plans) Since the roof couldn’t be railed without compromising the one-story '70s composition, the sculpture garden remains physically inaccessible however mirrors flanking the chimney allow the sculptures to be appreciated in three dimensions. The mirrors also afford privacy from the adjacent Tudor's large master bedroom addition 16-feet away.
Studio MMA Architecture + DesignIdéer för små retro oranga hus, med två våningar, tegel, sadeltak och tak i shingel
Flavin ArchitectsDevereux Beach House
Our client presented Flavin Architects with a unique challenge. On a site that previously hosted two houses, our client asked us to design a modestly sized house and separate art studio. Both structures reduce the height and bulk of the original buildings. The modern concrete house we designed is situated on the brow of a steep cliff overlooking Marblehead harbor. The concrete visually anchors the house to stone outcroppings on the property, and the low profile ensures the structure doesn’t conflict with the surround of traditional, gabled homes.
Three primary concrete walls run north to south in parallel, forming the structural walls of the home. The entry sequence is carefully considered. The front door is hidden from view from the street. An entry path leads to an intimate courtyard, from which the front door is first visible. Upon entering, the visitor gets the first glimpse of the sea, framed by a portal of cast-in-place concrete. The kitchen, living, and dining space have a soaring 10-foot ceiling creating an especially spacious sense of interiority. A cantilevered deck runs the length of the living room, with a solid railing providing privacy from beach below. Where the house grows from a single to a two-story structure, the concrete walls rise magisterially to the full height of the building. The exterior concrete walls are accented with zinc gutters and downspouts, and wooden Ipe slats which softly filter light through the windows.
455 foton på litet retro hus
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